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(What was it called? We used to go there all the time after work: because of the frisson caused by the bathroom doors – would the glass really go dim, or would you end up taking a leak in public? - and because the bartender made a mean vodka gimlet, which was my drink for years.)
Bref, Chiara and Daniel walked in, followed by a certain young man: his hair swept off his forehead just so; his scarf knotted at his throat just so. He looked a little bored... a little haughty... a little indolent. He was tall; he was slender; he was sensational.
I turned to his mother. "Holy shit," I said. "It seems just yesterday he invited me up to his room to meet his pet rat."
"I know," said Chiara. "Isn't he something? I'm a little infatuated with him myself."
Years before that - when the young man was still a little boy - Chiara had given me a copy of Vivaldi's Stabat Mater, played by her Ensemble 451. I've always treasured it, and today seems like a good day to listen to it again. Here's my favorite cantata from that CD:
Cessate, omai cessate
rimembranze crudeli
d'un affetto tiranno;
già barbare e spietate
mi cangiaste i contenti
in un immenso affanno.
Cease, henceforth cease,
cruel memories
of a despotic love!
4 comments:
Hermoso que hayas compartido esto, qué amiga talentosa tenés, y el contratenor Scholl tiene una voz impresionante.
iper talentosa! y sí scholl la rompe. mi disco favorito... con las variaciones de goldberg y paris de malcolm mclaren
estoy en Rhapsody escuchando Mclaren pero no encuentro Paris y ya me lo habias recomendado
GENIA DE TODO Mary... ahí te dejé un clip en el bolso de Poppins
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